https://thedoughnutwhole.com/landingpage 2025-11-03T15:48:52+00:00 always 0.5 https://thedoughnutwhole.com 2025-11-07T12:50:53+00:00 always 0.5 https://freight.cargo.site/t/original/i/C2613608626981330321063225708795/social_sjfchat_1950s_doughnut_stand_vintage_footage_grainy_woman_eat_378087b2-66b6-4295-9eea-4f22a4ff0d3c_2.mp4 https://thedoughnutwhole.com/the-doughnut-(w)hole-[phone] 2025-11-01T10:55:12+00:00 always 0.5 https://freight.cargo.site/t/original/i/S2615973226947149220226933575931/Pavilion.png https://freight.cargo.site/t/original/i/E2615990150986286621349901881595/backgroundcolour.gif https://thedoughnutwhole.com/the-doughnut(w)hole 2025-11-03T15:48:53+00:00 always 0.5 https://thedoughnutwhole.com/pavilion-1 2025-11-03T15:48:52+00:00 always 0.5 https://thedoughnutwhole.com/artists-menu 2025-11-08T19:08:40+00:00 always 0.5 https://thedoughnutwhole.com/pavilion-menu-right-side-by-pavilion 2025-11-03T15:48:53+00:00 always 0.5 https://freight.cargo.site/t/original/i/W2624122402999568656712846659835/PavilionDoughnut.png https://thedoughnutwhole.com/pavilion-menu-button 2025-11-03T15:48:53+00:00 always 0.5 https://freight.cargo.site/t/original/i/M2374434189426448209282397229307/LOGO2.001.png https://freight.cargo.site/t/original/i/M2607855250131236065737602355451/Gemini_Generated_Image_aj90kkaj90kkaj90.png https://thedoughnutwhole.com/the-wrong-logo-pavilion-1 2025-11-03T15:48:53+00:00 always 0.5 https://freight.cargo.site/t/original/i/M2374434189426448209282397229307/LOGO2.001.png https://freight.cargo.site/t/original/i/Y2376826655172992062610743087355/LOGO-WHITE.001.png https://thedoughnutwhole.com/entrancehall 2025-11-03T15:48:53+00:00 always 0.5 https://thedoughnutwhole.com/a-cyber-doughnut-stand 2025-11-07T06:01:21+00:00 always 0.5 https://freight.cargo.site/t/original/i/N2619316589884423231212273389819/PavilionDoughnut.png https://freight.cargo.site/t/original/i/F2626135020272782222447978598651/Pavilion.png https://thedoughnutwhole.com/how-to-navigate-the-site 2025-11-07T13:01:01+00:00 always 0.5 https://freight.cargo.site/t/original/i/N2619316589884423231212273389819/PavilionDoughnut.png https://thedoughnutwhole.com/pot(w)holes-home 2025-11-07T06:04:49+00:00 always 0.5 https://freight.cargo.site/t/original/i/N2603414329072240148936597819643/WorkingFile_0002_50MERVEWHOLENESSFEELSWRONG_2025_1.png https://freight.cargo.site/t/original/i/V2603417350169304076644704178427/Giftest3.gif https://freight.cargo.site/t/original/i/V2608440748496863521746225582331/AliceT4.png https://freight.cargo.site/t/original/i/W2622546335285110312926818455803/WorkingFile_0003i_After--Spring-Snow-by-Yukio-Mishima--chapter-34--2024---ben-millar-cole.png https://thedoughnutwhole.com/memory(w)holes-home 2025-11-03T15:48:53+00:00 always 0.5 https://freight.cargo.site/t/original/i/Y2597477642849555001506755367163/AliceT.png https://freight.cargo.site/t/original/i/X2603491282690409656419530428667/WorkingFile_0013_DavidKoh.png https://freight.cargo.site/t/original/i/S2614965740144668565640870220027/WorkingFile_0004_Sweeney_MyDeepfakeDad1red2.png https://freight.cargo.site/t/original/i/X2614969411600141556052928352507/All-that-is-draft_Page_06.png https://freight.cargo.site/t/original/i/I2614970125212436047506932617467/001-Thumbnail_Detailed-View.jpg https://freight.cargo.site/t/original/i/L2619156326269011297409112330491/MemoryOfDeepBlue_8005x7Right.gif https://thedoughnutwhole.com/worm(w)holes-home 2025-11-07T05:56:11+00:00 always 0.5 https://freight.cargo.site/t/original/i/N2596918818457411385436059324667/MariaARightfacing.png https://freight.cargo.site/t/original/i/N2603466054332918640878034735355/WorkingFile_0005_Screenshot-2025-10-13-at-09.49.25.png https://freight.cargo.site/t/original/i/J2603466211425391172588576297211/WorkingFile_0010_Cover.png https://freight.cargo.site/t/original/i/Z2603467032287055708589913657595/RFacingZebra.gif https://freight.cargo.site/t/original/i/E2619217013400682655219753537787/hough-lines-kasper-bergholt.png https://freight.cargo.site/t/original/i/N2636537082845803661200432156923/evangelia_danadaki_ghostingmyself_2025.jpg https://thedoughnutwhole.com/programme 2026-03-20T10:45:18+00:00 always 0.5 https://freight.cargo.site/t/original/i/Z2385151504955675566787194900731/DeaneSarah2.png https://thedoughnutwhole.com/about-the-wrong-2 2025-11-03T15:48:53+00:00 always 0.5 https://freight.cargo.site/t/original/i/M2374434189426448209282397229307/LOGO2.001.png https://thedoughnutwhole.com/acknowledgements 2025-11-07T06:13:36+00:00 always 0.5 https://freight.cargo.site/t/original/i/M2374434189426448209282397229307/LOGO2.001.png https://freight.cargo.site/t/original/i/S2608467342171670408826474582267/JamDoughnut1.png https://thedoughnutwhole.com/by-artists 2026-03-20T08:03:50+00:00 always 0.5 https://thedoughnutwhole.com/maria-ahmed 2025-11-10T14:00:10+00:00 always 0.5 https://freight.cargo.site/t/original/i/O2600268913183446959321779917051/AhmedMaria2.png https://freight.cargo.site/t/original/i/Y2600583009455011618083089010939/Screenshot-2025-10-15-at-17.31.23.png <i><br /> Beautiful the Chewed Sounds</i> is a meditation on the meeting of analogue and artificial worlds, speaking through layers of image, word and sound. A six-minute looped video, collages and texts activate one another - sparking open, rhizomatic chains of connection. The work mixes references to nature, bodies, and machines until they begin to blur together, making it difficult to tell where one thing ends and another begins.<br /> <br /> <div style="text-align: right">Maria Ahmed, 2025, audio-visual 5:59 mins/<br /> <a style="color: rgb(187, 151, 212);" target="_blank"><b>digital download</b></a></div> https://thedoughnutwhole.com/kasper-bergholt-1 2025-11-07T12:21:37+00:00 always 0.5 https://freight.cargo.site/t/original/i/P2600587313264871455258576539899/hough-lines-kasper-bergholt.png Inspired by Degas’ long obsession inscribed in the making of <i>Dancers Practising</i> (1870–1900), framed by AI paratexts, <i>Tracing the Hollow</i> explores presence and absence through three digital stages of a moth: its natural form, a Hough lines translation, and a Delaunay triangulation.<br /><br /><div style="text-align: right">Kasper Bergholt, 2025, photography</div> https://freight.cargo.site/t/original/i/M2600594794766205661862554095867/Kaspar.png https://thedoughnutwhole.com/evangelia-danadaki 2025-11-12T15:50:11+00:00 always 0.5 https://freight.cargo.site/t/original/i/E2603489341834678685142766702843/EvangeliaDanadaki-ghostingmyself_1.jpg <i>ghosting myself</i> withholds the image, showing what lies beneath. Absence acts as generative ground where glitch powers the surface. In a noise-filled hole, a spectral diary turns the image inside out, choreographing the small weather of feelings, and whispers: I wrote a poem. Can I read it to you?<br /><br /><div style="text-align: right">Evangelia Danadaki, 2025, audio-visual (single-channel video), 3:19 mins, audio by Konstantina Tsagianni</div> https://freight.cargo.site/t/original/i/B2619384693621783144316689567995/EvangeliaDDoughnut.png https://freight.cargo.site/t/original/i/X2636535383900674472550728323323/evangelia_danadaki_ghostingmyself_2025.jpg <i>ghosting myself</i> withholds the image, showing what lies beneath. Absence acts as generative ground where glitch powers the surface. In a noise-filled hole, a spectral diary turns the image inside out, choreographing the small weather of feelings, and whispers: I wrote a poem. Can I read it to you?<br /><br /><div style="text-align: right">Evangelia Danadaki, 2025, audio-visual (single-channel video), 3:19 mins, audio by Konstantina Tsagianni</div> https://thedoughnutwhole.com/sarah-deane-2 2026-03-20T08:01:29+00:00 always 0.5 https://freight.cargo.site/t/original/i/V2603483594013692757983578673403/SarahD.png https://freight.cargo.site/t/original/i/M2603491669426399161740280058107/WorkingFile_0011_SarahD2.png <i>All that is solid…</i> explores what remains when we fade from memory. Through found and AI-generated images, I inhabit spaces between presence and absence, asking what makes us search through the voids others leave behind.<br /><br /><div style="text-align: right">Sarah Deane, 2025, image and audio 4:48 mins</div> https://freight.cargo.site/t/original/i/X2614969411600141556052928352507/All-that-is-draft_Page_06.png <i>All that is solid…</i> explores what remains when we fade from memory. Through found and AI-generated images, I inhabit spaces between presence and absence, asking what makes us search through the voids others leave behind.<br /><br /><div style="text-align: right">Sarah Deane, 2025, image and audio 4:48 mins</div> https://thedoughnutwhole.com/sarah-jane-field-1 2026-03-24T07:56:31+00:00 always 0.5 https://freight.cargo.site/t/original/i/B2603491507685347123454931489019/WorkingFile_0010_Cover.png BHAM 💥 – <i>The Black Hole Aesthetic Machine</i> – is an imaginary (or perhaps genuine?) digitised product and self-help service designed to help humans come to terms with their impending obsolescence.<br /><div style="text-align: right"><br /> Sarah-Jane Field, 2025, website/services<br /> <br /> <br /> </div> https://thedoughnutwhole.com/alan-knox-1 2025-11-03T15:48:53+00:00 always 0.5 https://freight.cargo.site/t/original/i/O2600268913183446959321779917051/AhmedMaria2.png <i>The Memory of Deep Blue</i> provides an analogue, photographic record of this landmark victory for artificial intelligence. Composed as a series of photograms and contact sheets, each print retraces a move by the computer (white) as it slowly defeats Kasparov. With every move, Kasparov’s pieces fade to black, resigned to the limitless endurance of a machine designed to outwit him at every turn.<br /><div style="text-align: right">Alan Knox, 2025, photographic image</div> https://freight.cargo.site/t/original/i/O2603501474774764797978731991291/AlanKnox.png https://freight.cargo.site/t/original/i/J2619157716655452365119146283259/MemoryOfDeepBlue_8005x7Left.gif <i>The Memory of Deep Blue</i> provides an analogue, photographic record of this landmark victory for artificial intelligence. Composed as a series of photograms and contact sheets, each print retraces a move by the computer (white) as it slowly defeats Kasparov. With every move, Kasparov’s pieces fade to black, resigned to the limitless endurance of a machine designed to outwit him at every turn.<br /><div style="text-align: right">Alan Knox, 2025, photographic image</div> https://thedoughnutwhole.com/david-koh-2 2025-11-03T15:48:53+00:00 always 0.5 https://freight.cargo.site/t/original/i/X2603491282690409656419530428667/WorkingFile_0013_DavidKoh.png <i>I haunt myself</i> is a poetic exploration of how digital technology shapes personal memory. Combining self-shot and archival footage with a conversation between the artist and an AI doppelganger, the work asks whether forgetting is essential to remembering and questions the line between archiving and experiencing.<br /><div style="text-align: right"><br />David Koh, 2025, audio-visual, (single-channel video), 4:16 mins</div> https://thedoughnutwhole.com/merve-kurtuluş, 2025-11-03T15:48:53+00:00 always 0.5 https://freight.cargo.site/t/original/i/N2603414329072240148936597819643/WorkingFile_0002_50MERVEWHOLENESSFEELSWRONG_2025_1.png Exploring the paradox of <i>wholeness feels wrong</i>, this work visualizes the absence of absence. A doughnut that fails to form its hole. The piece manipulates light and shadow to erase depth, creating a seamless yet uneasy fullness.<div style="text-align: right"><br /> <br />Merve Kurtuluş, 2025, moving Image <br />(Single-Channel video looped)</div> https://freight.cargo.site/t/original/i/Z2603502475639758005237874020603/Merve.png https://thedoughnutwhole.com/ben-millar-cole-2 2025-11-03T15:48:53+00:00 always 0.5 https://freight.cargo.site/t/original/i/H2619276861943368422194178281723/5x7Stills_BMC.png In 1993, Jeff Wall spent over a year orchestrating actors and combining 50 photographs for <i>A Sudden Gust of Wind (After Hokusai)</i>. Today, AI generates similar compositions in seconds. My series <i>After Wall</i> transforms these balanced human arrangements into fungal-like tableaux, exploring shifting concepts of authorship and artistic value in the AI era.<br /><br /> <div style="text-align: right">Ben Millar Cole,  2025, photography</div> https://freight.cargo.site/t/original/i/G2622545909109981978015047471355/WorkingFile_0003i_After--Spring-Snow-by-Yukio-Mishima--chapter-34--2024---ben-millar-cole.png In 1993, Jeff Wall spent over a year orchestrating actors and combining 50 photographs for <i>A Sudden Gust of Wind (After Hokusai)</i>. Today, AI generates similar compositions in seconds. My series <i>After Wall</i> transforms these balanced human arrangements into fungal-like tableaux, exploring shifting concepts of authorship and artistic value in the AI era.<br /><br /> <div style="text-align: right">Ben Millar Cole,  2025, photography</div> https://thedoughnutwhole.com/duncan-petrie-2 2025-11-03T15:48:53+00:00 always 0.5 https://freight.cargo.site/t/original/i/T2603490780699163178561502302459/Giftest3.gif <i>To Pigeon-Fill the Sky</i> is a photographic storybook about artificial intelligence, the creative process, and, of course, pigeons.  <i>To Pigeon-Fill the Sky</i> is the story of that artist. It exists as a photobook, shot and edited in the summer of 2024, and as a website, expanded, distorted, and hacked together in the summer of 2025.<br /><br /> <div style="text-align: right">           Duncan Petrie, 2024 / 25, photography </div> https://freight.cargo.site/t/original/i/I2614545837813209174729203241211/DuncanPDoughnut2.png https://thedoughnutwhole.com/angel-qin 2025-11-03T15:48:53+00:00 always 0.5 https://freight.cargo.site/t/original/i/P2603489715178331992950381859067/WorkingFile_0005_Screenshot-2025-10-13-at-09.49.25.png <i>Human-ware</i> begins with a simple, improbable question: Can a .mov file have a gender? The work doesn’t simulate a body so much as it composes an ever-unfinished libidoscape — one where code keeps recombining, and holes, gaps and fissures keep opening.<br /><div style="text-align: right"><br />Angel Qin, 2025, digital game</div> https://freight.cargo.site/t/original/i/W2603504092792023971059425988859/AngelQ.png https://thedoughnutwhole.com/heidi-reece-2 2025-11-03T15:48:53+00:00 always 0.5 https://freight.cargo.site/t/original/i/G2603489881125241680041508196603/WorkingFile_0001_Heidi.png <i>I Want to be Defined by a Grapefruit</i> explores Reece’s struggle with obsessive thoughts through an exchange with her AI-generated great uncle, Eddy. Sent to Barcelona for relief, she instead finds therapy in photography, transforming her fear of medication into a metaphor. Perhaps photography was the bittersweet fruit she required.<br /><br /><div style="text-align: right">Heidi Reece, 2025, photography and audio</div> https://freight.cargo.site/t/original/i/I2614970125212436047506932617467/001-Thumbnail_Detailed-View.jpg <i>I Want to be Defined by a Grapefruit</i> explores Reece’s struggle with obsessive thoughts through an exchange with her AI-generated great uncle, Eddy. Sent to Barcelona for relief, she instead finds therapy in photography, transforming her fear of medication into a metaphor. Perhaps photography was the bittersweet fruit she required.<br /><br /><div style="text-align: right">Heidi Reece, 2025, photography and audio</div> https://thedoughnutwhole.com/sarah-sweeney-2 2025-11-03T15:48:53+00:00 always 0.5 https://freight.cargo.site/t/original/i/M2603505766889388892422363795707/SarahS.png https://freight.cargo.site/t/original/i/S2614965740144668565640870220027/WorkingFile_0004_Sweeney_MyDeepfakeDad1red2.png <div style="white-space: normal;">Can you make new photographs of someone who is dead? Can you talk to them? In this series of photographs and conversations, I use digital tools and AI to try to answer this question and conjure my father, who died thirty years ago.<br /> <br /> <div style="text-align: right">Sarah Sweeny, 2024/25, audio</div> </div> https://thedoughnutwhole.com/min-jung-tsai-1 2025-11-03T15:48:53+00:00 always 0.5 https://freight.cargo.site/t/original/i/O2600739930815545300894850076923/AliceT.png <i>Welcome to the Past</i> is inspired by the Y2K bug and the anxiety of technological collapse. By reimagining low-resolution aesthetics in yarn, the project highlights the value of slowness, touch, and human presence in an age of AI and hyper-digital life.<br /><br /><div style="text-align: right;">Min Jung Tsai, 2025, wool and performance</div> https://freight.cargo.site/t/original/i/G2603490456534529571263551754491/WorkingFile_0000_AliceT.png <i>Welcome to the Past</i> is inspired by the Y2K bug and the anxiety of technological collapse. By reimagining low-resolution aesthetics in yarn, the project highlights the value of slowness, touch, and human presence in an age of AI and hyper-digital life.<br /><br /><div style="text-align: right;">Min Jung Tsai, 2025, wool and performance</div> https://thedoughnutwhole.com/shortlistedartists 2025-11-08T21:39:39+00:00 always 0.5 https://freight.cargo.site/t/original/i/G2636813070855783414863406682363/NR Code - trailer https://freight.cargo.site/t/original/i/N2636835898019045099706278072571/Julie-Derbyshire-_Northern-Calling_2024_3---Julie-Derbyshire.jpg https://freight.cargo.site/t/original/i/E2636835898295746260811921346811/Julie-Derbyshire_Northern-Calling_2024_4---Julie-Derbyshire.jpg https://freight.cargo.site/t/original/i/F2636835898277299516738211795195/Julie-Derbyshire_Northern-Calling_2024_2---Julie-Derbyshire.jpg https://freight.cargo.site/t/original/i/I2636835898314193004885630898427/Julie-Derbyshire_Northern-Calling_2024_5---Julie-Derbyshire.jpg 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https://thedoughnutwhole.com/worm(w)holes-home-1 2026-03-20T08:03:51+00:00 always 0.5 https://freight.cargo.site/t/original/i/N2596918818457411385436059324667/MariaARightfacing.png https://freight.cargo.site/t/original/i/N2603466054332918640878034735355/WorkingFile_0005_Screenshot-2025-10-13-at-09.49.25.png https://freight.cargo.site/t/original/i/J2603466211425391172588576297211/WorkingFile_0010_Cover.png https://freight.cargo.site/t/original/i/Z2603467032287055708589913657595/RFacingZebra.gif https://freight.cargo.site/t/original/i/E2619217013400682655219753537787/hough-lines-kasper-bergholt.png https://freight.cargo.site/t/original/i/D2636536574066155364217289036027/evangelia_danadaki_ghostingmyself_2025.jpg https://thedoughnutwhole.com/programme-1 2026-03-20T10:47:08+00:00 always 0.5 https://freight.cargo.site/t/original/i/Z2385151504955675566787194900731/DeaneSarah2.png https://thedoughnutwhole.com/about-the-wrong-1 2026-03-20T08:03:51+00:00 always 0.5 https://freight.cargo.site/t/original/i/M2374434189426448209282397229307/LOGO2.001.png https://thedoughnutwhole.com/acknowledgements-1 2026-03-20T08:03:51+00:00 always 0.5 https://freight.cargo.site/t/original/i/M2374434189426448209282397229307/LOGO2.001.png https://freight.cargo.site/t/original/i/S2608467342171670408826474582267/JamDoughnut1.png https://thedoughnutwhole.com/by-artists-1 2026-03-20T08:03:51+00:00 always 0.5 https://thedoughnutwhole.com/maria-ahmed-1 2026-03-20T08:03:51+00:00 always 0.5 https://freight.cargo.site/t/original/i/O2600268913183446959321779917051/AhmedMaria2.png https://freight.cargo.site/t/original/i/Y2600583009455011618083089010939/Screenshot-2025-10-15-at-17.31.23.png <i><br /> Beautiful the Chewed Sounds</i> is a meditation on the meeting of analogue and artificial worlds, speaking through layers of image, word and sound. A six-minute looped video, collages and texts activate one another - sparking open, rhizomatic chains of connection. The work mixes references to nature, bodies, and machines until they begin to blur together, making it difficult to tell where one thing ends and another begins.<br /> <br /> <div style="text-align: right">Maria Ahmed, 2025, audio-visual 5:59 mins/<br /> digital download</div> https://thedoughnutwhole.com/kasper-bergholt-2 2026-03-20T08:03:51+00:00 always 0.5 https://freight.cargo.site/t/original/i/P2600587313264871455258576539899/hough-lines-kasper-bergholt.png Inspired by Degas’ long obsession inscribed in the making of <i>Dancers Practising</i> (1870–1900), framed by AI paratexts, <i>Tracing the Hollow</i> explores presence and absence through three digital stages of a moth: its natural form, a Hough lines translation, and a Delaunay triangulation.<br /><br /><div style="text-align: right">Kasper Bergholt, 2025, photography</div> https://freight.cargo.site/t/original/i/M2600594794766205661862554095867/Kaspar.png https://thedoughnutwhole.com/evangelia-dandaki-1 2026-03-20T08:03:51+00:00 always 0.5 https://freight.cargo.site/t/original/i/E2603489341834678685142766702843/EvangeliaDanadaki-ghostingmyself_1.jpg <i>ghosting myself</i> withholds the image, showing what lies beneath. Absence acts as generative ground where glitch powers the surface. In a noise-filled hole, a spectral diary turns the image inside out, choreographing the small weather of feelings, and whispers: I wrote a poem. Can I read it to you?<br /><br /><div style="text-align: right">Evangelia Danadaki, 2025, audio-visual (single-channel video), 3:19 mins, audio by Konstantina Tsagianni</div> https://freight.cargo.site/t/original/i/B2619384693621783144316689567995/EvangeliaDDoughnut.png https://freight.cargo.site/t/original/i/O2636535665084394388105423606011/evangelia_danadaki_ghostingmyself_2025.jpg <i>ghosting myself</i> withholds the image, showing what lies beneath. Absence acts as generative ground where glitch powers the surface. In a noise-filled hole, a spectral diary turns the image inside out, choreographing the small weather of feelings, and whispers: I wrote a poem. Can I read it to you?<br /><br /><div style="text-align: right">Evangelia Danadaki, 2025, audio-visual (single-channel video), 3:19 mins, audio by Konstantina Tsagianni</div> https://thedoughnutwhole.com/sarah-deane 2026-03-20T08:03:51+00:00 always 0.5 https://freight.cargo.site/t/original/i/V2603483594013692757983578673403/SarahD.png https://freight.cargo.site/t/original/i/M2603491669426399161740280058107/WorkingFile_0011_SarahD2.png <i>All that is solid…</i> explores what remains when we fade from memory. Through found and AI-generated images, I inhabit spaces between presence and absence, asking what makes us search through the voids others leave behind.<br /><br /><div style="text-align: right">Sarah Deane, 2025, image and audio 4:48 mins</div> https://thedoughnutwhole.com/sarah-jane-field 2026-03-24T07:56:58+00:00 always 0.5 https://freight.cargo.site/t/original/i/B2603491507685347123454931489019/WorkingFile_0010_Cover.png BHAM 💥 – <i>The Black Hole Aesthetic Machine</i> – is an imaginary (or perhaps genuine?) digitised product and self-help service designed to help humans come to terms with their impending obsolescence.<br /><div style="text-align: right"><br /> Sarah-Jane Field, 2025, website/services</div> https://thedoughnutwhole.com/alan-knox-2 2026-03-20T08:03:51+00:00 always 0.5 https://freight.cargo.site/t/original/i/O2603501474774764797978731991291/AlanKnox.png https://freight.cargo.site/t/original/i/Q2622931737408998407812480094459/MemoryOfDeepBlue_800.gif <i>The Memory of Deep Blue</i> provides an analogue, photographic record of this landmark victory for artificial intelligence. Composed as a series of photograms and contact sheets, each print retraces a move by the computer (white) as it slowly defeats Kasparov. With every move, Kasparov’s pieces fade to black, resigned to the limitless endurance of a machine designed to outwit him at every turn.<br /><div style="text-align: right">Alan Knox, 2025, photographic image</div> https://thedoughnutwhole.com/david-koh 2026-03-20T08:03:51+00:00 always 0.5 https://freight.cargo.site/t/original/i/X2603491282690409656419530428667/WorkingFile_0013_DavidKoh.png <i>I haunt myself</i> is a poetic exploration of how digital technology shapes personal memory. Combining self-shot and archival footage with a conversation between the artist and an AI doppelganger, the work asks whether forgetting is essential to remembering and questions the line between archiving and experiencing.<br /><div style="text-align: right"><br />David Koh, 2025, audio-visual, (single-channel video), 4:16 mins</div> https://thedoughnutwhole.com/merve-kurtuluş,-1 2026-03-20T08:03:51+00:00 always 0.5 https://freight.cargo.site/t/original/i/N2603414329072240148936597819643/WorkingFile_0002_50MERVEWHOLENESSFEELSWRONG_2025_1.png Exploring the paradox of <i>wholeness feels wrong</i>, this work visualizes the absence of absence. A doughnut that fails to form its hole. The piece manipulates light and shadow to erase depth, creating a seamless yet uneasy fullness.<div style="text-align: right"><br /> <br />Merve Kurtuluş, 2025, moving Image <br />(Single-Channel video looped)</div> https://freight.cargo.site/t/original/i/Z2603502475639758005237874020603/Merve.png https://thedoughnutwhole.com/ben-millar-cole-1 2026-03-20T08:03:51+00:00 always 0.5 https://freight.cargo.site/t/original/i/H2619276861943368422194178281723/5x7Stills_BMC.png In 1993, Jeff Wall spent over a year orchestrating actors and combining 50 photographs for <i>A Sudden Gust of Wind (After Hokusai)</i>. Today, AI generates similar compositions in seconds. My series <i>After Wall</i> transforms these balanced human arrangements into fungal-like tableaux, exploring shifting concepts of authorship and artistic value in the AI era.<br /><br /> <div style="text-align: right">Ben Millar Cole,  2025, photography</div> https://freight.cargo.site/t/original/i/G2622545909109981978015047471355/WorkingFile_0003i_After--Spring-Snow-by-Yukio-Mishima--chapter-34--2024---ben-millar-cole.png In 1993, Jeff Wall spent over a year orchestrating actors and combining 50 photographs for <i>A Sudden Gust of Wind (After Hokusai)</i>. Today, AI generates similar compositions in seconds. My series <i>After Wall</i> transforms these balanced human arrangements into fungal-like tableaux, exploring shifting concepts of authorship and artistic value in the AI era.<br /><br /> <div style="text-align: right">Ben Millar Cole,  2025, photography</div> https://thedoughnutwhole.com/duncan-petrie 2026-03-20T08:03:51+00:00 always 0.5 https://freight.cargo.site/t/original/i/T2603490780699163178561502302459/Giftest3.gif <i>To Pigeon-Fill the Sky</i> is a photographic storybook about artificial intelligence, the creative process, and, of course, pigeons.  <i>To Pigeon-Fill the Sky</i> is the story of that artist. It exists as a photobook, shot and edited in the summer of 2024, and as a website, expanded, distorted, and hacked together in the summer of 2025.<br /><br /> <div style="text-align: right">           Duncan Petrie, 2024 / 25, photography </div> https://freight.cargo.site/t/original/i/I2614545837813209174729203241211/DuncanPDoughnut2.png https://thedoughnutwhole.com/angel-qin-1 2026-03-20T08:03:51+00:00 always 0.5 https://freight.cargo.site/t/original/i/P2603489715178331992950381859067/WorkingFile_0005_Screenshot-2025-10-13-at-09.49.25.png <i>Human-ware</i> begins with a simple, improbable question: Can a .mov file have a gender? The work doesn’t simulate a body so much as it composes an ever-unfinished libidoscape — one where code keeps recombining, and holes, gaps and fissures keep opening.<br /><div style="text-align: right"><br />Angel Qin, 2025, digital game</div> https://freight.cargo.site/t/original/i/W2603504092792023971059425988859/AngelQ.png https://thedoughnutwhole.com/heidi-reece-1 2026-03-20T08:03:51+00:00 always 0.5 https://freight.cargo.site/t/original/i/I2614970125212436047506932617467/001-Thumbnail_Detailed-View.jpg <i>I Want to be Defined by a Grapefruit</i> explores Reece’s struggle with obsessive thoughts through an exchange with her AI-generated great uncle, Eddy. Sent to Barcelona for relief, she instead finds therapy in photography, transforming her fear of medication into a metaphor. Perhaps photography was the bittersweet fruit she required.<br /><br /><div style="text-align: right">Heidi Reece, 2025, photography and audio</div> https://thedoughnutwhole.com/sarah-sweeney 2026-03-20T08:03:51+00:00 always 0.5 https://freight.cargo.site/t/original/i/M2603505766889388892422363795707/SarahS.png https://freight.cargo.site/t/original/i/S2614965740144668565640870220027/WorkingFile_0004_Sweeney_MyDeepfakeDad1red2.png <div style="white-space: normal;">Can you make new photographs of someone who is dead? Can you talk to them? In this series of photographs and conversations, I use digital tools and AI to try to answer this question and conjure my father, who died thirty years ago.<br /> <br /> <div style="text-align: right">Sarah Sweeny, 2024/25, audio</div> </div> https://thedoughnutwhole.com/min-jung-tsai-2 2026-03-20T08:03:51+00:00 always 0.5 https://freight.cargo.site/t/original/i/G2603490456534529571263551754491/WorkingFile_0000_AliceT.png <i>Welcome to the Past</i> is inspired by the Y2K bug and the anxiety of technological collapse. 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